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Best films of the year by A Long chalk

December 29th, 2014 Comments off

Everyone’s doing it, ’tis the season to be listing, cinephiles abounding – so here’s my pick of the flicks for the year that lies expiring.

The rider is that I haven’t seen either Mr Turner or The Imitation Game, which I suspect might have made the AL-List. The controversy is that I HATED Calvary, sorry to be disloyal to the Irish industry but it was a soggy pudding of cliches with the cherry of Brendan Gleeson’s ever-reliable performance skill on top. And you won’t see much-hailed Boyhood here, either. It was nice. But nice is not great, and the film’s main distinction seemed to be that it took 12 years to make.

So, taking it from first place…

  1. Jake Gyllenhaal brilliant, creepy, unsettling. Director Dan Gilroy.

  2. Under The Skin. Scarlett drives around Glasgow picking up men who end up in ooze (spoiler alert). Genuine art.
  3. Locke. Tom Hardy in a car. Yet you are riveted for 85 minutes. Respect for writer/director Stephen Knight.
  4. Two Days One Night. Belgian everyday excellence.
  5. Maps to the Stars. Julianne Moore sticks in the memory most from Cronenberg’s latest.
  6. What We Do In the Shadows. Silly, perhaps, but very funny. You expect that from Jemaine Clement, but the main vampire, Taika Waititi, was new to me and utterly enchanting.
  7. Frank. Not as mad about it as some, but it was different and well-done.
  8. Mystery Road. This Aussie movie starring Aaron Pedersen was perhaps not as widely seen as it deserved.
  9. Grand Budapest Hotel. Enjoyable whimsy from Wes Anderson with fine performance from Ralph Fiennes.
  10. My 10 was going to be Despues de Lucia, a Mexican film about bullying among teenagers – but although I saw it this year it came out in 2012. Highly recommended. Don’t be put off by what sounds like an unoriginal idea, for it’s masterly execution by Michel Franco.
  11. A substitute 10 would be Her, Spike Jonze’s movie about a man who falls in love with Scarlett Johansson’s voice. The Irish Times has it on its list, but does it qualify as a 2014 film?

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